Karamsin must mention the family name, of course, in his historybut as an individual-one never hears of any Prince Muishkin nowadays. ‘At least, the name, I admit, is historical. ‘Prince Muishkin? Lef Nicolaievitch? H’m! I don’t know, I’m sure! I may say I have never heard of such a person,’ said the clerk, thoughtfully. ‘Prince Lef Nicolaievitch Muishkin,’ replied the latter, with perfect readiness. The latter’s Madame Bovary is mentioned in the text. ‘Excuse me,’ said the red-nosed man to the young fellow with the bundle, rather suddenly ‘whom have I the honour to be talking to?’ The Idiot: The Challenges of Translation In his introduction to the Penguin translation, William Mills Todd says The Idiot reflects not just Dostoyevsky’s Russianness but also the influence of French writers Rousseau, Sand, Dumas, Hugo, Renan, and Flaubert. He was very absent he would appear to listen-and heard nothing and he would laugh of a sudden, evidently with no idea of what he was laughing about. He stared out of the window, and fidgeted, and evidently longed for the end of the journey. These men generally have about a hundred pounds a year to live on, and they spend their whole time and talents in the amassing of this style of knowledge, which they reduce-or raise-to the standard of a science.ĭuring the latter part of the conversation the black-haired young man had become very impatient. They are people who know everyone-that is, they know where a man is employed, what his salary is, whom he knows, whom he married, what money his wife had, who are his cousins, and second cousins, etc., etc. Myshkin has been receiving treatment for epilepsy in Switzerland for almost five years, and has no money Rogozhin, on the other hand, has just inherited an. He is sitting next to Rogozhin, a young man with a malicious smile, and Lebedev, a foolish clerk. This sort of character is met with pretty frequently in a certain class. Prince Myshkin is on a train pulling into St.

The idiot dostojevski